Wednesday, October 24, 2007

Shaping a Novel (S.A.D.)


It helps to have two book projects going on simultaneously especially while living abroad. I researched NOT CRICKET while I waited for S.A.D. to come back from my second reader. It was a long wait. There have been a series of wildcat postal strikes in Britain, the worst in 20 years. It made me sad.

The title of my second novel, S.A.D., stands for both School Administrative District and Seasonal Affective Disorder. I have always loved puns. The story came to me when I was caught up in a political campaign for building a new school in Brunswick, Maine. Why not plunder my hard-won knowledge of small town politics for fiction?

There is so much beyond a political activist’s influence in the real world, what a relief to be in control of a novel. Although sometimes I don’t feel like I’m really in control. I create the characters, put them in a setting and watch to see what happens. It’s more like directing than playing God.

An appropriate analogy since S.A.D. puts evangelicals on a school board who want to add Intelligent Design to the science curriculum. A lobsterman and a liberal professor fight back, and my protagonist is caught in the middle of the drama. The superintendent pays the deadly cost.

Like any production, there is a large cast of characters working behind the scenes. Education lawyer George Isaacson corrected my interpretation of the law and found my scenario scarily plausible. I also spoke to teachers, administrators and a former superintendent. A couple of professors, a priest, a fire chief, a lobsterman, a pilot, a detective , and a marine patrolman helped with other plot points. The evangelical ministers didn’t return my calls so I just went to services. Plenty of book/internet research too.

After my husband, the first reader for S.A.D. was Kathy Thorson. Like my protagonist, Kathy is new to the school board and has red hair. The similarities stop there as I created Haley Swan before Kathy even thought of running. Sorry to ruin the fun, but my characters are all fictional. Most of the work is imagination. My novels may be based on research but are spiced up with plenty of romance and drama.

My second reader was author Charlotte Agell (check out her new website.) She encouraged me to enliven the narrative by playing out some of the drama in the classroom and through my teen characters. That has been fun! It broadens the appeal to a Jodi Picoult family drama audience. Charlotte, Kathy and George all live on my street back home. How’s that for a small town?

My third reader will be Abigail Holland in NYC, a former Harper’s editor now home with her kids. She was also the first reader of MOOSE CROSSING and encouraged me to publish it. After she comments, I’ll figure out if S.A.D. is ready to go to my last reader for a proof read.

Then S.A.D. will go to my agent, Jean Naggar, in NYC for her feedback. Other agents at her medium-size firm might advise. Any major changes would be tested on yet another reader. Once the manuscript is ready, my agent draws up a list of editors who have shown interest (think of a dance card at a ball.) An agent works on commission after the sale of the book to a publisher. Readers just get a line on the acknowledgement page and my eternal gratitude. I also read for other writer/readers.

At the publishing houses a manuscript may get several reads with marketing and publicity involved. A committee makes the decision to publish, and more work gets rejected than accepted. An accepted manuscript will be worked on by editors, copy editors, type setters, book jacket designers, marketers and publicists. Even after the editorial revisions are complete, it will be another nine months or so until you see it at the bookstore.

My agent’s assistant, Marika Josephson, made an insightful comment:

I always thought the Bible was so fascinating because so many hands went into the production of it. And you could see it all in each line if your ears were tuned to it. I never realized that a book you pick up off the shelves even these days is exactly the same. The whole entire package has been touched and sculpted by dozens and dozens of hands. I certainly can't look at books the same way again after having worked in publishing!



P.S. I received a comment from Rachel, who just moved to Maine. Talk about characters coming to life – that is the protagonist from MOOSE CROSSING. Welcome to Maine, Rachel!

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Wednesday, July 18, 2007

Test Flight

Coming back home to Maine, I was in for a shock. My fluffy golden retriever . . .

. . .had become a Labrador retriever.

Or perhaps a naked mole rat? Poor Stella had been dying in the summer heat so a buzz cut was in order. She spent the first couple days chewing her tail, but now she is much perkier on her walks. Her feathers will grow back by autumn.

A mother’s solo vacation is more like racking up a debt. My husband coped well during my 5-day absence but didn’t get any work done. With a home office, I’ve learned to work with interruption if not gracefully. My children had so much to tell me they had to talk simultaneously. The laundry, camp forms, home repairs and bills had stacked up.

The piles only grew as my first priority was finishing manuscript revisions for my first reader. Henry is taking S.A.D. to England where he’s visiting family. Call it a test flight for an airplane book. With both of my books I gave my first chapter to my husband to read, and then I shut the door to my office. He waited patiently for years the first time and for months the second time for me to finish.

Henry must have read Moose Crossing six times. My first draft of that novel was a ridiculous 660 pages – more than twice what it is now! I’ve learned. The first draft of S.A.D. is 260 pages with room to expand. True love is the patience to proof carefully and offer constructive criticism.

Henry welcomes the fictional characters and their problems into our home but also entices me back to the real world. My son pointed out some people live in the past, others for the future, but I live too much in my imaginary world.

Stephen King (another Maine author!) wrote an excellent book On Writing in which he describes his creative process as writing for the ideal reader. For him that is his wife. His writing style, like mine, is to lock himself in his office, not sharing half completed work.

There is no one right way to write. The trick is finding the method that works best for you. I need privacy and big chunks of time; others need more feedback and write better in short bursts. All writers need readers because it’s hard to see the fault lines in one’s own work.

Although I write women’s fiction, my ideal reader is my husband. He’s a demanding critic, my most avid supporter and has a great sense of humor. He’s also an excellent writer himself. My comments on his political writing tend towards critique of theory. Academia is geared towards a narrow audience but good writing is all about communicating and entertaining.

Entertaining was the theme of last weekend. My youngest child just turned ten and invited SEVEN girls to what could only be called a wake-over. One parent described the next day as giving your child a hangover as a party favor. Not from alcohol but from sleep deprivation after watching Pirates of the Caribbean and giggling all night long.

P.S. Does anyone know who took the naked mole rat photo? If so leave a comment so I can credit the photographer.

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Tuesday, April 17, 2007

Children's Author Cynthia Lord


“It must be something in the water,” Cynthia Lord surmised. Cindy’s first children’s book, Rules, just won a Newbery Honor Medal and the Schneider Family Book Award. We both live on the same street as Charlotte Agell who has published eleven children’s books. I guess I should drink more water.

Rules is fiction, but it rings true. Twelve-year-old Catherine tries to teach her autistic younger brother the rules of life. David has to be told that it’s okay to take his shirt off to swim but not his pants. Catherine creates the words to communicate with her paraplegic friend, Jason, and struggles to get her busy parents to listen to her needs too. The characters have challenges that restrict their lives but don’t define them. They find happiness on their own terms without a miracle cure.

When I read Rules aloud to my children, it made us laugh and almost cry. It was quite an accomplishment to create a book that would appeal to both a nine-year-old girl and a twelve-year-old boy, not to mention their mother. The book was flawlessly well written.

“Most books about autism are so sad,” Cindy said, “but a family has to learn how to laugh or they’re not going to make it.”

CYNTHIA LORD INTERVIEW:

Is there a true story behind your story?

When my son was first diagnosed with autism, I spent forty hours a week on Behavior Modification Treatment because Maine didn’t offer it. The state flew up experts from New York and paid for the student helpers I trained. It was worth it to see my son recover the words he had lost at eighteen months.

Now my fourteen-year-old son attends the junior high for special classes like cooking and art. It’s too noisy there for him to concentrate in such a big school, so he does his schoolwork at home. His seventeen-year-old sister attends the high school.

How did you find the time to write Rules when your son was only five?

I realized I would have to make time for writing or not want it anymore. I set my alarm for 4am and wrote every morning until my family got up at 7am. In four months I finished the first draft and then spent a year revising it with help from readers.

Was the road to publication as short?

The first two publishers rejected Rules but sent the manuscript back with helpful comments. I rewrote it and sent out a query letter and two sample chapters to four more publishers. One rejected it with a form letter, but the other three asked for the complete manuscript.

I loved the Scholastic Book Club as a child, so I granted Scholastic an exclusive read. Then September 11th happened, and everything ground to a halt. After eight months, I finally got a call from the editor saying they would be running some numbers and planned to acquire it. I realized that I needed an agent to negotiate the contract, so I called Tracey Adams in New York. We had met at a conference.

So why did the book not come out until 2006 – almost five years later?

As a first time author, I was put on the slow track. The manuscript went from one over-committed editor to a second one. There were revisions to add more drama. Even when the manuscript was ready, I was bumped off the list by established authors. New authors were the first to be cut when the list had to shrink for financial problems.

How did you deal with the long wait?

It was demoralizing, but I kept writing. Scholastic bought my picture book; it’s waiting for illustration. My second middle reader (grades 4-8) was pending senior editorial approval when Rules won the Newbury Honor Medal. Scholastic immediately made an offer on that book and another one I have yet to write.

What is the next book about?

Halfway Between Hope and Hurricane takes place on an island off the coast of Maine with a protagonist whose mother teaches at the school. I drew from both my own experience as a teacher on Chebeague Island and an historical incident on another island. In the 1960’s Frenchboro Island tried to head off closure of their school by bringing in foster children from the mainland. For me the ethical question is the most important part. Do the means justify the end?

You won’t have to wait too long to find out. Halfway Between Hope and Hurricane is projected for a fall 2008 release. Since the Newbury Honor, Rules has spent 10 weeks on the NYT bestseller list and is in its fourth run. Cynthia Lord is on the fast track!

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Wednesday, April 4, 2007

Mixed Religions & Mud Season


On Monday night I found myself walking home in an April snowstorm. Around my neck was a Star of David and in my raincoat pocket was that Easter egg. It was the first night of Passover. Torn between two religions and trapped in mud season, it can be hard to find my balance.

Barb Swisher throws an Ukranian Easter Egg party every year. You melt wax over a candle and dribble patterns on an egg; then drop the egg in dye. Whatever was waxed stays white. More wax and dye dunks, and colors emerge like dawn. It takes a steady hand, tricky given the free-flowing wine and amusing conversation. In a room full of women my waxy squiggles became sperm. I blame all the estrogen.


Barb is a special ed. teacher and a ski instructor. Her husband is a commercial pilot who knew enough to retire early to bed. Their house reminded me of Cambridge, Massachusetts with its wood stained moldings and doors, bay window, eclectic furniture and a jungle of houseplants. Barb (standing on the right in profile) has a close circle of friends who met through their little kids, who are now soon to be heading off to college.


Maria Padian (second from the left) and Charlotte Agell (left of Barb) both write young adult fiction. Maria’s debut book is coming out next March; it sold in only a month. She writes that well. Charlotte is waiting to hear back from her editor about her twelfth book, and I’m as eager since I was a reader.

Both Maria and Charlotte have read for me too – it helps to have the support. As Charlotte said, “having a manuscript out there is like standing naked, waiting for someone to throw you clothes.” Charlotte illustrates her books, and her egg was as funky, bright and original as her writing.

I had arrived late to the egg party after taking my kids to a Seder at Bowdoin. My nine-year-old daughter sighed with relief when they made only the college freshman rise to recite the four questions of Passover, normally asked by the youngest child. It begins with: “Why is this night different from all other nights?” The answer tells of how Moses led the Jews out of enslavement in Egypt into the desert onto Israel. A Seder is designed for children so that the lessons of the past will never be forgotten.


I like to tell my children that the Last Supper was a Passover Seder and that the Jews and the Christians worship the same God. We celebrate a sampling of the holidays: Passover, Easter, Christmas, Hanukkah, Yom Kippur and Rosh Hashanah. My children attended Hebrew School for several years. At Christmas we go to see their friends perform the First Parish Church's pageant. For Easter Sunday we’re getting together with two Catholic families on Westport Island.

In England we return to Henry’s village church on the Thames. Our son was christened in a Georgian gown passed down through my husband’s Anglican family. My son’s Great Grandfather Eric lived just long enough for the christening. There were tears of happiness in his eyes as he gave his great grandson a silver mug that had been his.

Religion for me is more about tradition and family heritage than it is about belief. My father is Jewish and my mother is Episcopalian. Her mother was a Christian Scientist and her father a Congregationalist.

Raised among so many religions, it seemed only natural for me to take on religious diversity as a theme in my second novel. In S.A.D. (School Administration District) a Maine school board wrestles over adding Creationism/Intelligent Design to the science curriculum. Tangled relationships, gossip and quirky personalities interplay in small town politics. It's a dark comedy featuring a love story between a divorced naval wife and a lobsterman.

For research on S.A.D., I went to church. There are a large number of Catholics in Maine from the early French colonists and the Irish farmers who immigrated during the potato famine. In Brunswick there are two Catholic communities historically divided by the railroad tracks. On the downtown side are the French Catholics at St. John’s.

I attended the Irish Catholic church and was surprised by how casual it was. The choir leader is usually shoeless, and few people dress up. Afterward people hang out for doughnuts and coffee – there were many familiar faces. At this popular church there are three masses on Sunday and one on Saturday evening and on weekday mornings.

I was surprised to find that The Seventh-day Adventist Church was not that different. There were hymns and Bible stories with an uplifting sermon. The pastor was a well-spoken woman, and the pews were full of young families and the elderly. The evangelicals weren’t dancing in the aisle, although there was more talk of salvation and seeing the light.

Researching my novels has been a broadening experience for me. Like the weather, Maine is never what you’d expect.

Horses on Popham Beach last Saturday.

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Wednesday, March 7, 2007

The Next Meal


My family has a rule (too often broken) that if you’re still eating one meal, you can’t talk about the next meal. We’ve planned entire vacations around fine dining. Depressed in Switzerland, we once drove across the Alps to Italy just for lunch on Lake Cuomo, and it was worth it. In the 1970’s, before Zagat’s and food bloggers, my dad got written up in The New Yorker for his personal computer program allowing you to pick a NYC restaurant by cuisine, quality, atmosphere, price and location. When I visit my parents in Manhattan, I’m going to eat well both in the home and out most of the time.

I flew in a day early to avoid Friday’s big storm that flooded New York and dumped a wintery mix in Maine. My mother prepared sole in capered tomato sauce from Marcella Hazan’s The Classic Italian Cookbook. My father broke out the last Mondavi Blanc, which had aged since 1978 in his self-made wine cellar (an insulated closet with an AC.) My dad’s a venture capitalist so the conversation is often interesting. That night we discussed funding a proposed expedition for sunken treasure.

For lunch on Friday my mother and I crossed Central Park to the West Side for Vietnamese food. The Saigon Grill at 90th and Amsterdam has a sister restaurant on the East Side, but it’s closed for renovation. To call Pho Bo an oxtail noodle soup does not capture the subtle flavors of the paper thin sliced beef in the piquant broth. Fresh Oriental basil, sprouts and hoisin sauce come as condiments. You can easily eat lunch for $6 a person, but you won’t be alone. The cavernous restaurant was packed, but the service was prompt.

We met my father for dinner at Maya (1st Ave at 65th), a gourmet Mexican restaurant with high ratings in Zagat’s and even a mention in the Michelin guide. I don’t know if the chef just quit or what, but the food was disappointing. The special ceviche tasted like rubber in ketchup. My father ordered his favorite chicken mole, but it was no better than my special tuna nor my mother’s red snapper. At least the margaritas and mojitos were good enough to drown our sorrows.

Saturday night I went out with my old Dalton School friends. Deb drove us downtown to 20th and Broadway for Abigail’s and Andy’s joint 40th birthday party. Deb can find a parking spot anywhere, which is quite a skill in Manhattan, especially given the size of her Range Rover. In the city if you see a parking spot you take it, even if you don’t need it.

Craftbar is known for its excellent food and cool décor. The two-story open space dining room was all black, white and red transected by what looked like a fire escape. Abigail had booked the private dining room below, which was perfect for 30 guests. Remember the banker who was reading War and Peace on his Blackberry at the last NYC party (see first blog)? Well, he’s quit, but only because he didn’t like the book. Everyone laughed to hear that I too had quit after 150 pages.

On my recommendation, my friend is now reading and enjoying Lewis Robinson’s Officer Friendly. Robinson is a young Maine author who has an MFA from the Iowa Writer’s Workshop. He also apprenticed with John Irving. A gifted and original storyteller, Robinson writes in a very male voice, which is, perhaps, part of his appeal. His perfectly crafted stories are about sensitive but manly men set in small town Maine under extenuating circumstances. I hear he has a novel coming out soon – I’m awaiting it eagerly.

On Sunday I met my cousin for lunch. I don’t have a sister, but Gabrielle has been like one to me. Our lives have intersected and reversed over the years. She grew up in a southern college town with an academic father while I grew up in NYC with an investment banker father. At my wedding, Gabrielle met our best man Fabio, a banker, and they fell in love. Now they live in NYC, and I’m married to a college professor in small town Maine.


The lunch at Boucheron Bakery was very good, but the setting was even better. It was worth the ridiculous price and long wait for a table. Suspended on the third floor balcony, the view over Columbus Circle to Central Park is spectacular. The AOL/Time Warner building is an oddity in the city – it’s really a mall if an upscale one at that.

After lunch we scanned the new titles at Borders, and then walked up Broadway towards Gabrielle’s home. We stopped into her local grocery store, crossing a picket line against (I kid you not) foie gras. I agree it’s too cruel to force feed geese, but only in NYC would it be worth a demonstration. Gabrielle abandoned me at yet another bookstore (I admit to being a junky.) I resisted the urge to buy since I was half way through a library book (Debra Ginsberg’s Blind Submission – very funny parody of the literary world.) I walked home through Central Park in time for a fine dinner of spit-roasted chicken stuffed with cellery and ginger crafted by my dad.


Before I flew back to Maine, my mother and I visited the Neue Galerie and had lunch overlooking Central Park. Café Sabarsky is known for its Viennese desserts – an excellent place for tea in an Old World setting. Most of the museum was shut in preparation for the Van Gogh and Expressionism exhibit (3/22-7/2,) but we could still admire the golden Klimt’s on display.


The first day back home in Brunswick, I was afraid to go outside even to walk the dog. I woke up to minus two and high winds. Stella popped out her dog flap and then promptly went back to bed, hiding her ice-cube nose in her paws. The temperature never made it into double digits. Still, it’s great to be back home with my family and time to write.

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